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This chapter is devoted to the interplay between spaces, with the relationship between visible and non-visible spaces becoming central to the construction of complex scenic sequences. The dynamic dialogue between spaces,...
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In an original and rigorous book, Elena Merlino examines the category of space in a little-studied corpus of tragic texts situated in a crucial period for the genesis of the so-called New Comedy. The works of Juan de la ...
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This chapter focuses on the techniques through which represented spaces change and multiply before the audience. Beyond the standard cuadro changes, visible dramatic space dynamically transforms through devices such as e...